After the recent death of my mother and the subsequent preparation for the sale of her house, there have been many photographs unearthed in her belongings that have never been viewed before. Looking back over a history of so many moments/instants captured and preserved on paper has been quite emotional.
On one hand it is poignant and sad looking at images of people who are no longer present in my life, yet on another, it is simply wonderful to gaze at them and reflect and dream about how each image was caught and preserved during a particular time.
We currently dwell in a modern age where digital images saturate and bombard us every day. Street surveillance, mobile phone technology and digital cameras capture us instantly as we go about our daily lives, and we have come to accept this as being normal as we view ourselves constantly on social media networks and various other online platforms. We can change our captured images to reflect how we are feeling at any particular moment on any particular day. We have the capacity, the skill and the ability to do this. In monetary terms, there is little cost. We can be who we want to be at any given moment and we can reveal ourselves in many guises.
This is contrary to the way that images were captured in our recent past. The photographs that I have been looking at were mostly ‘group’ shots, where people who were together for special occasions posed for a ‘snap’, and this unique moment was then captured by someone who was fortunate to have a camera, could afford film, and who took the trouble to have it processed afterwards. This resulted in the myriad of black and white photos that have recently been discovered amongst my mother’s things.
There is something visceral about looking at these snapshots that tugs at my heart in a way that modern images fail to do so.
I found myself gazing at unknown faces, looking at particular features and wondering if I somehow ‘belong’ to them, and if my own genetic makeup was inherited from them. Some of the photos have names and places written in faded ink on the back of them identifying faces and places, others are blank. These are the ones that are the most intriguing. I don’t know who these people are, and if they are connected to me somehow down through time and history.
It has been a journey of discovery as I attempt to identify a whole generation of people that I never knew, yet that I can somehow recognise in particular features that live on in me and my family.
I have a marked crooked little finger on my right hand that is a throwback to my mother’s family. Growing up, she had two sets of twin siblings, and one of each twin was marked by this mutant crookedness. One of each set has a crooked little finger or a crooked little toe. This was a means of identity when they were very small, or so my mother said when I questioned my own ’disfigurement’. My maternal Grandmother told me that this crookedness was present in her own family too, and that instead of being embarrassed about it, I should embrace the fact that my descendants had passed this unique feature onto me. (She was probably fibbing, but as a small child I believed her and grew to like my alleged ancestral difference.)
I will treasure these recently found photos that were discovered amongst my mother’s possessions, and although my own adult children have grown up in an age of disposable digital images, I will encourage them to appreciate this photographic hoard as being precious and part of their own family history, albeit without the mutant crookedness so far…..
Destiny can be about gazing backwards and using history to help us move forward….